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| film archive | |||||
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in alphabetical order [A-B] [B-D] [D-G] [G-I] [I-M] [M-N] [N-P] [P-S] [S-V] [W-Y] |
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Group Portrait, A [30] | ||||
| Reena Mohan | |||||
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The film traces the efforts of rural women in
North Bihar for reviving the Sujni Kantha tradition of embroidered
quilts aided by the Mahila Vikas Sahyog Samiti (MVSS) |
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| Gujarat : A Laboratory [45] | |||||
| Suma Josson | |||||
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In the post-Godra violence, the film raises
issues such as Hindu Rashtra, the Constitution, status of the Dalits,
the economic and social scenario in Anand District, Gujarat |
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| Gulabi Aaina [40] | |||||
| Sridhar Rangayan | |||||
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India’s first film on drag queens pits two
fading drag queens against a sly gay teenager as they try to seduce a
handsome hunk with dance, drama, desire - a la Bollywood. |
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Hawa Mahal [58] | ||||
| Vipin Vijay | |||||
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An epic film on the Holy Little Box, the RADIO, a
profound archaic force, a time bond with most ancient past and long
forgotten experience, with its power to turn the psyche and society into
a single echo chamber. An apparatus that neutralized nationalism but
evoked archaic tribal ghosts of the most vigorous brand. |
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House on Gulmohar Avenue, The [30] | ||||
| Samina Mishra | |||||
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A film about home and belonging, tracing the
filmmaker’s personal journey to understand what it means to be a
Muslim in India today |
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| Hunger in the time of Plenty [30] | |||||
| Sagari Chabra | |||||
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Explores the irony of starvation deaths in the
time of food surpluses. Shot in the interiors of Rajasthan and in the
lush tropical forests of Orissa as well as in New Delhi, the film is a
personal journey, in quest for the truth. |
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Hunting Down Water [32] | ||||
| S. Barnela & V.Saberwal | |||||
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The film explores the fact that the present water
crisis is largely a crisis of our own making. It studies the dynamics of
this man-made crisis. |
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| Iag Bari - Brass in Fire [98] | |||||
| Ralf Marschalleck | |||||
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A rousing gipsy brass band from the far remote
Romanian village ‘Zece Prajini’ (Ten Fields), is roaming the world,
getting the halls packed and enthusing the audiences. Discovered by two
German freaks who raised them onto the world music scene, the musicians
of ‘Fanfare Ciocarlia’ (Lark's Fanfare) rapidly became a cult band.
These gipsy musicians with a particular mix of rapid playing and
poetical Balkanian sound are celebrating a party on stage around the
world. But there is a love story too . . . |
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Identity | ||||
| Anjali Monteiro & Jayasankar | |||||
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If you pause – in a museum of craft [30] | ||||
| Sameera Jain | |||||
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How can one allow all the stories hidden behind the familiar beauty of craft, to be heard? …Nothing concealed, nothing forgotten.
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