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| film archive | |||||
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in alphabetical order [A-B] [B-D] [D-G] [G-I] [I-M] [M-N] [N-P] [P-S] [S-V] [W-Y] |
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Night of Prophecy, A [77] | ||||
| Amar Kanwar | |||||
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A
Night of Prophecy is a simple film about poetry and witnessing the
passage of time . Through poetry emerges the possibility of
understanding the past , the severity of conflict and the cycles of
change . The film travels in the states of Maharashtra, Andhra Pradesh,
Nagaland and Kashmir in the Indian subcontinent. |
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| Nishadam (Of the Hunter) [30] | |||||
| Madhu Eravankara | |||||
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The
film depicts the poetic journey of the celebrated Malayalam poet, Kadammanitta
Ramakrishnan. It is the visual interpretation of word-images based on
select slices of poems with
deep autobiographical overtones spiced with occasional memoirs by the
poet. The poet himself renders the lines filling the soundtrack evoking
his nostalgic past, vision, concerns, loves, compassion and humaneness. |
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| Nothing Official | |||||
| Soumitra Dastidar | |||||
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Odhni | ||||
| Anjali Monteiro & KP Jayasankar | |||||
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On a Wing and a Prayer [30] | ||||
| Sunita Thakur | |||||
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The
film looks at the life of one family in the Old City in Delhi in an
attempt to reflect on the aspirations and problems of the Muslim middle
class in India |
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On an Expresss Highway [34] | ||||
| Reena Mohan | |||||
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Jignya,
a successful 33 year old woman from a wealthy Jain family, gives up the
material world with its conveniences, for the austere life of a sadhvi
(nun). Intrigued by Jignya's choice, the filmmaker decides to trace her
journey. What follows is a dialogue with an articulate and confident
woman, strong yet vulnerable, full of certainty yet striving against the
mental habits of a lifetime. |
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On my Qwn [28] | ||||
| Anupama Srinivasan | |||||
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Five
young women from middle class Delhi share with us their experiences of
trying to live on their own in this conservative city. They justify
their decisions to their families, come to terms with their own
loneliness and insecurities, and also discover some things about
themselves. |
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Orange Alert [28] | ||||
| Teena Amrit Gill | |||||
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Across
the pesticide-intensive orange growing regions of northern Thailand,
thousands of villagers are falling sick, victim to some of the most
toxic chemicals in the world. The film zooms into one such village – looking at the
impact of pesticides on the environment, and the lives and health of the
villagers. |
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Paradise on the River of Hell [30] | ||||
| Abir Bazaz & Meenu Gaur | |||||
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The
film reflects the refracts the multiple experiences of tortured
subjectivity in Kashmir in the 1990s |
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| Parai [45] | |||||
| Leena Manimekalai | |||||
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In Siruthondamadevi, a village situated in Cuddalore district, Tamilnadu,
600 odd Dalits are under assault everyday by 6000 strong backward
castes. Be it untouchability, sexual harassment, rape, assault,
exploitation of labor all forms of violence are prevalent. The film
juxtaposes accounts of Dalit women with data on the ststus of Dalits in
India. |
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