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| film archive | |||||
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in alphabetical order [A-B] [B-D] [D-G] [G-I] [I-M] [M-N] [N-P] [P-S] [S-V] [W-Y] |
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Parenting Alone [30] | ||||
| Moumita Tarafdar | |||||
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The
film focuses on the comparatively new but increasingly significant
problems faced by single parents in India |
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Pather Chujaeri [30] | ||||
| Pankaj Rishi Kumar | |||||
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A
film on the satiric, non-sectarian folk theatre form Bhand Pather of
Kashmir. Through the lives
of of the Bhands and their performances, the film explores the
subversive message of their art. |
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| Pyramid of Women, A [19] | |||||
| Cheryl Kanekar | |||||
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During
the festival of Gokulashtami, which celebrates the birth of the Hindu
god Krishna, the custom is to hang decorated earthenware pots containing
rewards, several storeys above the ground. Teams of men compete to reach
and break the pots by forming human pyramids on the street below.
Traditionally, only men form these pyramids. The women of a low-income
textile mill neighbourhood have decided to challenge this tradition by
forming the first-ever women’s team to form these pyramids. |
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| Rummaging For Pasts [27] | |||||
| Ashish Avikunthak | |||||
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Rummaging
for Pasts is an experimental juxtaposition of two cinematic documents:
the video dairy of an international archaeological excavation and a
collection of assorted eight millimeter found footage. The film is an
attempt to engage with the ambiguity inherent in the rumination over
these pasts, once abandoned now reconstructed, assuming fresh
connotations and meaning. |
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| Sacha | |||||
| Anjali Monteiro & Jayasankar | |||||
| Searching for Saraswati [62] | |||||
| Sudheer Gupta | |||||
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On
the 40 day Mahakumbha festival of 2001 on the confluence of the rivers
Ganga and Yamuna at Allahabad - in the world's largest city in tents
attended by pilgrim-farmers and babas...amidst rising fundamentalism,
consumerism, lack of concern... searching for the invisible river of
learning... Saraswati. |
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Sharira – Chandrelekha’s Exploration in Dance [29] | ||||
| Ein Lall | |||||
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The
film Sharira draws on three major choreographed works produced by
Chandralekha over the last decade, 1992 – 2002. It demonstrates how
consistently she challenged the middle-class mores that
compartmentalised the human psyche: dividing body from mind; feeling
from thought; sexuality and sensuality from spirituality. |
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Shadows of Freedom | ||||
| Sabina Kidwai | |||||
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The
film traces the history of three women in a Muslim family in India and
how the issues of identity and gender conflicts with their lives and
that of their family. |
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| She Writes | |||||
| Anjali Monteiro & Jayasankar | |||||
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Weaving
together the narratives and work of four Tamil women poets, the
film traverses diverse modes of resistance, through images and sounds
that evoke the universal experiences of pain, anger, desire and
transcendence. |
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Silent Killer, A [23] | ||||
| Dhananjoy Mandal | |||||
| Arsenic poisoning in drinking water drawn through tube wells is claiming many lives in 75 Blocks of 8 districts in West Bengal. Measures taken so far to mitigate the problem are insufficient in scale. | |||||
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