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| film archive | |||||
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in alphabetical order [A-B] [B-D] [D-G] [G-I] [I-M] [M-N] [N-P] [P-S] [S-V] [W-Y] |
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Sita's Family [60] | ||||
| Saba Dewan | |||||
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A
personal exploration of memory and the mysterious ways in which it is
transmitted from mothers to daughters. It is about the family, the
primary site of struggle for women and it is about the outside,
forbidden territory to be negotiated at considerable peril. |
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Snapshots from a family album [63] | ||||
| Avijit Mukul Kishore | |||||
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An
intimate look at parents, family and relationships from the point of
view of a film maker son.
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Some Roots Grow Upwards [52] | ||||
| Kavita Joshi | |||||
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What
is the relevance of theatre (or all art, for that matter) to the crisis
of our times? The film explores the creative canvas & politics of
Ratan Thiyam, celebrated Manipuri theatre director, against the backdrop
of this query. |
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Tales of the Night Fairies [74] | ||||
| Shohini Ghosh | |||||
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Five
sexworkers - four women and one man - along with the filmmaker/narrator
embark on a journey of storytelling. Tales of the Night Fairies explores
the power of collective organizing and resistance while reflecting upon
contemporary debates around sexwork. The simultaneously expansive and
labyrinthine city of Calcutta forms the backdrop for the personal and
musical journeys of storytelling |
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Tell them the tree they had planted has now grown [60] | ||||
| Ajay Raina | |||||
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A
cinematic diary of a Kashmiri revisiting his home to witness the scars
of a paradise lost |
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| Trembling Before G-d [94] | |||||
| Sandi Dubowski | |||||
| Two or three things about Growing Up [12] | |||||
| Ambarien Al-Qadr | |||||
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Unlimited Girls [94] | ||||
| Paromita Vohra | |||||
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Unlimited
Girls explores engagements with feminism in contemporary urban India
through the encounters of a fictional narrator with a diverse range of
people from activists and students to priests and yuppie couples. The
film uses a playfully eclectic and personally reflective style to ask
intricate questions about feminism in our lives today. |
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Voices from Balliapal | ||||
| Vasudha Joshi & Ranjan Palit | |||||
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Vote, The [62] | ||||
| Pankaj Rishi Kumar | |||||
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Tackles
one of the most delicate problems: how to show on screen the way the
democratic ideal adapts itself to the surrounding social, economic,
political, and cultural context? "MAT" brings together and
deconstructs the material collected (electoral meetings, interviews of
candidates and conversations with the electorate) so as to yield the
portrait of a people in its full complexity. |
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