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| film archive | |||||
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in alphabetical order [A-B] [B-D] [D-G] [G-I] [I-M] [M-N] [N-P] [P-S] [S-V] [W-Y] |
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Walls [30] | ||||
| Ashoke Vishwanathan | |||||
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An inspirational story of a wall constructed at
the height of communal violence in Ahmedabad in 1969, but surmounted by
the innate human desire to make friends and discover relationships |
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Wapsi [30] | ||||
| Ajay Raina | |||||
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For most Indian's & Pakistan's a visit to
each others' country is a journey of return of various kinds - to
nostalgia, hate, metaphor and reality. This film is one such travelogue,
a song of hope, love, longing and betrayal. |
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| Way Back Home | |||||
| Supriyo Sen | |||||
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When the image meets the Shadow [30] | ||||
| Kamal Swaroop | |||||
| A cinematic interpretatin of the myth surrounding the origin of the sacred desert city of Pushkar in Rajasthan | |||||
| Who can speak of men? [34] | |||||
| Ambarien Al-Qadr | |||||
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Words on Water [85] | ||||
| Sanjay Kak | |||||
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For more than 15 years, people of the Narmada
Valley in central India have resisted a series of massive dams on their river, and in their struggle have exposed the deceptive heart of Indiašs development politics. In a world where the use of violence has become the arbiter of all political debate, Words on Water is about a sustained non-violent resistance, an almost joyous defiance, which empowers the people as they struggle for their rights, yet saves them from the ultimate humiliation of violence. |
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YCP 1997 | ||||
| Anjali Monteiro & Jayasankar | |||||
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Yeh Gulistan Hamara [30] | ||||
| Fareeda Mehta | |||||
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The film examines the deep rooted fears of
religious communities living in segregation in Ujjain and the
surrounding areas and the cultural, political and economic reasons for
doing so. |
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